A Moment's Rest

A Moment's Rest
acrylic on canvas
24" x 36" x 1.5"
Available for purchase at Revolution Gallery, Issaquah, WA


I've been using a different method lately when I paint.  To build up the impasto layers, I would normally mix pigments into an acrylic matte gel.  I would then apply that wonderfully frosting-like paint to the canvas with palette knives, and, after letting the impasto layer of paint dry, I would add a bit of brushwork with thin glazes.  I've been using more and more brushwork on top of the impasto layers over the past several months, so I've been accordingly changing the process a bit.


For this painting, and for most of my other recent work, I've been starting off each piece by applying a thin layer of pigment to the canvas with a brush.  I then apply acrylic matte gel only (no pigment added); I move it around on the canvas with palette knives, and my intent in doing so has been to create more motion in the image.  Once the thick gel layer has dried, I apply thin washes of pigment.  These washes interact with the original background color, which has been softened and muted by the semi-transparent matte gel.  I don't go through pigment nearly as quickly as I used to, and playing with the matte gel in its non-colored state allows for a lot of creativity.


Joni Mitchell's "Night Ride Home" album has been my painting music of choice, lately.  I've been listening to it nonstop.


Nature, I would be thy child,
Sit and worship at thy feet;
Read the truth upon thy face,
Wait upon thine accent sweet:
I would put my hand in thine,
Bow my head upon thy knee,
Live upon thy love alone,
Fearless, trusting all to thee.
-Mary Morgan, "To Nature"

Running Before Time Took Our Dreams Away

(click to enlarge)
















(detail - click to enlarge)

Running Before Time Took Our Dreams Away
acrylic on canvas
24" x 36"
$1175 framed
Available for purchase through Freshwater Studio & Gallery, Dillon, MT (contact)

I was listening to Pink Floyd's album "The Division Bell" while painting this one. The painting's title comes from a line in that album's last track, "High Hopes" - it really stuck out to me as I was working on the buffalo.

The photo has some light reflection on the left side, which helps to reveal the texture a bit in the photo. I've been working on practicing patience lately with my art, and I feel like that's permitting me to produce richer colors on the canvas (that effect isn't translated as well when photographed). The immediate gratification of using palette knives to mix colors on the canvas is wonderful, but I wanted to achieve more depth without using more texture. Texture is still an integral part of a painting like this, but I've been layering textured paint with light color washes to make the effect more subtle. I've also been scraping with the knives more; once several layers of texture and color have dried, I literally scrape more color onto the canvas to achieve softer highlights and to make the paint break in a natural-looking way. The layers of colors interact with each other to produce a bit of a glow.

Where vast and far the rustling grass burns with its russet stain,
O'er prairies lone, beyond the throne, of Rocky Mountain chain,
The lowing herds, the league-long herds, of bisons roam the wild,
By streams serene, by meadows green, and where great cliffs are pil'd
-Isaac McLellan, from "The Flight of the Buffalo"